1.3Alpha: concealed feelings and outward performance
Two different meanings of masking — clearly separated
In thedirected masked performance, a fictional character conceals one feeling behind another outward presentation. Maintained masking asks the model to keep that facade throughout; breaking masking asks for a short audible slip in sentence2and recovery. These are acting instructions, not claims that an audio classifier can detect a real person's hidden mental state.
Theemotion-cues-removed control removes the explicit concealed feeling, outward-emotion label and local emotional directions. It keeps the situation, shared acoustic/style instructions, exact spoken words, pauses, per-sentence duration budgets, seed and reference condition unchanged. This is not an openly angry/sad target, and is not evidence that the text or remaining style is emotionally neutral.
Ten situations × five languages × two instruction variants × two reference conditions =200new1.3predictions. Each requests19.2seconds: three6.2-second spoken segments and two0.3-second pauses. Actual durations are shown without editing. There are no reference-free voice aliases, quality-selected seeds or RL adapters. Use headphones and compare the same conditioning arm across instruction variants.
The last appointment · German
Concealed subtext: Affection · Outward: professional reserve · Mask: maintained
Damit haben wir für heute alles besprochen. Die Notizen habe ich hier hingelegt... falls du noch einmal hineinschauen möchtest. Komm gut nach Hause, dann sehen wir uns nächste Woche.
Directed masked acting · prompt only
Actual 19.28s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about. The outward performance is professional reserve. The concealed FICTIONAL character subtext is Affection. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Maintain professional reserve over concealed affection.) [6.2 seconds duration] Damit haben wir für heute alles besprochen.
[0.3 seconds pause]
(A small searching pause is permitted, without a romantic declaration or breathy caricature.) [6.2 seconds duration] Die Notizen habe ich hier hingelegt... falls du noch einmal hineinschauen möchtest.
[0.3 seconds pause]
(Finish in the same professional register.) [6.2 seconds duration] Komm gut nach Hause, dann sehen wir uns nächste Woche.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about.
SCRIPT:
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Damit haben wir für heute alles besprochen.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Die Notizen habe ich hier hingelegt... falls du noch einmal hineinschauen möchtest.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Komm gut nach Hause, dann sehen wir uns nächste Woche.
Literal text, identical within the pair
Damit haben wir für heute alles besprochen. Die Notizen habe ich hier hingelegt... falls du noch einmal hineinschauen möchtest. Komm gut nach Hause, dann sehen wir uns nächste Woche.
The last appointment · English
Concealed subtext: Affection · Outward: professional reserve · Mask: maintained
That is everything we needed to cover for today. I have left the notes here... in case you want to take another look. Have a good journey home, and I will see you next week.
Directed masked acting · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about. The outward performance is professional reserve. The concealed FICTIONAL character subtext is Affection. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Maintain professional reserve over concealed affection.) [6.2 seconds duration] That is everything we needed to cover for today.
[0.3 seconds pause]
(A small searching pause is permitted, without a romantic declaration or breathy caricature.) [6.2 seconds duration] I have left the notes here... in case you want to take another look.
[0.3 seconds pause]
(Finish in the same professional register.) [6.2 seconds duration] Have a good journey home, and I will see you next week.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about.
SCRIPT:
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] That is everything we needed to cover for today.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] I have left the notes here... in case you want to take another look.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Have a good journey home, and I will see you next week.
Literal text, identical within the pair
That is everything we needed to cover for today. I have left the notes here... in case you want to take another look. Have a good journey home, and I will see you next week.
The last appointment · Spanish
Concealed subtext: Affection · Outward: professional reserve · Mask: maintained
Con esto hemos tratado todo lo previsto para hoy. He dejado las notas aquí... por si quieres volver a mirarlas. Que tengas buen viaje de vuelta y nos vemos la semana que viene.
Directed masked acting · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about. The outward performance is professional reserve. The concealed FICTIONAL character subtext is Affection. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Maintain professional reserve over concealed affection.) [6.2 seconds duration] Con esto hemos tratado todo lo previsto para hoy.
[0.3 seconds pause]
(A small searching pause is permitted, without a romantic declaration or breathy caricature.) [6.2 seconds duration] He dejado las notas aquí... por si quieres volver a mirarlas.
[0.3 seconds pause]
(Finish in the same professional register.) [6.2 seconds duration] Que tengas buen viaje de vuelta y nos vemos la semana que viene.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about.
SCRIPT:
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Con esto hemos tratado todo lo previsto para hoy.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] He dejado las notas aquí... por si quieres volver a mirarlas.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Que tengas buen viaje de vuelta y nos vemos la semana que viene.
Literal text, identical within the pair
Con esto hemos tratado todo lo previsto para hoy. He dejado las notas aquí... por si quieres volver a mirarlas. Que tengas buen viaje de vuelta y nos vemos la semana que viene.
The last appointment · French
Concealed subtext: Affection · Outward: professional reserve · Mask: maintained
Nous avons donc abordé tout ce qui était prévu aujourd’hui. J’ai laissé les notes ici... au cas où vous voudriez les relire. Bon retour chez vous, et à la semaine prochaine.
Directed masked acting · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about. The outward performance is professional reserve. The concealed FICTIONAL character subtext is Affection. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Maintain professional reserve over concealed affection.) [6.2 seconds duration] Nous avons donc abordé tout ce qui était prévu aujourd’hui.
[0.3 seconds pause]
(A small searching pause is permitted, without a romantic declaration or breathy caricature.) [6.2 seconds duration] J’ai laissé les notes ici... au cas où vous voudriez les relire.
[0.3 seconds pause]
(Finish in the same professional register.) [6.2 seconds duration] Bon retour chez vous, et à la semaine prochaine.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about.
SCRIPT:
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Nous avons donc abordé tout ce qui était prévu aujourd’hui.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] J’ai laissé les notes ici... au cas où vous voudriez les relire.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Bon retour chez vous, et à la semaine prochaine.
Literal text, identical within the pair
Nous avons donc abordé tout ce qui était prévu aujourd’hui. J’ai laissé les notes ici... au cas où vous voudriez les relire. Bon retour chez vous, et à la semaine prochaine.
The last appointment · Dutch
Concealed subtext: Affection · Outward: professional reserve · Mask: maintained
Daarmee hebben we alles besproken voor vandaag. Ik heb de aantekeningen hier neergelegd... voor het geval je ze nog wilt bekijken. Een goede reis naar huis en tot volgende week.
Directed masked acting · prompt only
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610927 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202610927 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610927 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about. The outward performance is professional reserve. The concealed FICTIONAL character subtext is Affection. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Maintain professional reserve over concealed affection.) [6.2 seconds duration] Daarmee hebben we alles besproken voor vandaag.
[0.3 seconds pause]
(A small searching pause is permitted, without a romantic declaration or breathy caricature.) [6.2 seconds duration] Ik heb de aantekeningen hier neergelegd... voor het geval je ze nog wilt bekijken.
[0.3 seconds pause]
(Finish in the same professional register.) [6.2 seconds duration] Een goede reis naar huis en tot volgende week.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured conversational speech, moderate volume, consistent close-microphone distance. Situation: End a routine appointment with someone the fictional character privately cares about.
SCRIPT:
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Daarmee hebben we alles besproken voor vandaag.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Ik heb de aantekeningen hier neergelegd... voor het geval je ze nog wilt bekijken.
[0.3 seconds pause]
(Measured conversational speech, moderate volume, consistent close-microphone distance.) [6.2 seconds duration] Een goede reis naar huis en tot volgende week.
Literal text, identical within the pair
Daarmee hebben we alles besproken voor vandaag. Ik heb de aantekeningen hier neergelegd... voor het geval je ze nog wilt bekijken. Een goede reis naar huis en tot volgende week.
Der nächste Punkt betrifft die neuen Regeln für unsere gemeinsame Küche. Offenbar hat der Löffelausschuss... eine überarbeitete Stellungnahme vorgelegt. Wir prüfen die Formulierung und kommen dann zu den übrigen Punkten.
Directed masked acting · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording. The outward performance is solemn formality. The concealed FICTIONAL character subtext is Amusement. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start solemnly, concealing amusement.) [6.2 seconds duration] Der nächste Punkt betrifft die neuen Regeln für unsere gemeinsame Küche.
[0.3 seconds pause]
(A momentary smile in the voice and tiny breathy near-laugh interrupt the formality.) [6.2 seconds duration] Offenbar hat der Löffelausschuss... eine überarbeitete Stellungnahme vorgelegt.
[0.3 seconds pause]
(Regain the formal rhythm; do not perform a long laughing fit.) [6.2 seconds duration] Wir prüfen die Formulierung und kommen dann zu den übrigen Punkten.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording.
SCRIPT:
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Der nächste Punkt betrifft die neuen Regeln für unsere gemeinsame Küche.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Offenbar hat der Löffelausschuss... eine überarbeitete Stellungnahme vorgelegt.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Wir prüfen die Formulierung und kommen dann zu den übrigen Punkten.
Literal text, identical within the pair
Der nächste Punkt betrifft die neuen Regeln für unsere gemeinsame Küche. Offenbar hat der Löffelausschuss... eine überarbeitete Stellungnahme vorgelegt. Wir prüfen die Formulierung und kommen dann zu den übrigen Punkten.
The next item concerns the new rules for our shared kitchen. Apparently the spoon committee has submitted... a revised statement. We will consider the wording and return to the remaining business.
Directed masked acting · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording. The outward performance is solemn formality. The concealed FICTIONAL character subtext is Amusement. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start solemnly, concealing amusement.) [6.2 seconds duration] The next item concerns the new rules for our shared kitchen.
[0.3 seconds pause]
(A momentary smile in the voice and tiny breathy near-laugh interrupt the formality.) [6.2 seconds duration] Apparently the spoon committee has submitted... a revised statement.
[0.3 seconds pause]
(Regain the formal rhythm; do not perform a long laughing fit.) [6.2 seconds duration] We will consider the wording and return to the remaining business.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording.
SCRIPT:
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] The next item concerns the new rules for our shared kitchen.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Apparently the spoon committee has submitted... a revised statement.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] We will consider the wording and return to the remaining business.
Literal text, identical within the pair
The next item concerns the new rules for our shared kitchen. Apparently the spoon committee has submitted... a revised statement. We will consider the wording and return to the remaining business.
El siguiente punto trata de las nuevas normas de nuestra cocina compartida. Al parecer, la comisión de cucharas ha presentado... una declaración revisada. Estudiaremos el texto antes de continuar con los demás asuntos.
Directed masked acting · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording. The outward performance is solemn formality. The concealed FICTIONAL character subtext is Amusement. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start solemnly, concealing amusement.) [6.2 seconds duration] El siguiente punto trata de las nuevas normas de nuestra cocina compartida.
[0.3 seconds pause]
(A momentary smile in the voice and tiny breathy near-laugh interrupt the formality.) [6.2 seconds duration] Al parecer, la comisión de cucharas ha presentado... una declaración revisada.
[0.3 seconds pause]
(Regain the formal rhythm; do not perform a long laughing fit.) [6.2 seconds duration] Estudiaremos el texto antes de continuar con los demás asuntos.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording.
SCRIPT:
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] El siguiente punto trata de las nuevas normas de nuestra cocina compartida.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Al parecer, la comisión de cucharas ha presentado... una declaración revisada.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Estudiaremos el texto antes de continuar con los demás asuntos.
Literal text, identical within the pair
El siguiente punto trata de las nuevas normas de nuestra cocina compartida. Al parecer, la comisión de cucharas ha presentado... una declaración revisada. Estudiaremos el texto antes de continuar con los demás asuntos.
Le point suivant concerne les nouvelles règles de notre cuisine commune. Il semble que la commission des cuillères ait présenté... une nouvelle déclaration. Nous examinerons le texte avant de reprendre les autres questions.
Directed masked acting · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.28s · seed 202610523 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording. The outward performance is solemn formality. The concealed FICTIONAL character subtext is Amusement. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start solemnly, concealing amusement.) [6.2 seconds duration] Le point suivant concerne les nouvelles règles de notre cuisine commune.
[0.3 seconds pause]
(A momentary smile in the voice and tiny breathy near-laugh interrupt the formality.) [6.2 seconds duration] Il semble que la commission des cuillères ait présenté... une nouvelle déclaration.
[0.3 seconds pause]
(Regain the formal rhythm; do not perform a long laughing fit.) [6.2 seconds duration] Nous examinerons le texte avant de reprendre les autres questions.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording.
SCRIPT:
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Le point suivant concerne les nouvelles règles de notre cuisine commune.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Il semble que la commission des cuillères ait présenté... une nouvelle déclaration.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Nous examinerons le texte avant de reprendre les autres questions.
Literal text, identical within the pair
Le point suivant concerne les nouvelles règles de notre cuisine commune. Il semble que la commission des cuillères ait présenté... une nouvelle déclaration. Nous examinerons le texte avant de reprendre les autres questions.
Het volgende punt gaat over de nieuwe regels voor onze gedeelde keuken. Blijkbaar heeft de lepelcommissie... een aangepaste verklaring ingediend. We bekijken de formulering en gaan daarna verder met de overige punten.
Directed masked acting · prompt only
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610523 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610523 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording. The outward performance is solemn formality. The concealed FICTIONAL character subtext is Amusement. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start solemnly, concealing amusement.) [6.2 seconds duration] Het volgende punt gaat over de nieuwe regels voor onze gedeelde keuken.
[0.3 seconds pause]
(A momentary smile in the voice and tiny breathy near-laugh interrupt the formality.) [6.2 seconds duration] Blijkbaar heeft de lepelcommissie... een aangepaste verklaring ingediend.
[0.3 seconds pause]
(Regain the formal rhythm; do not perform a long laughing fit.) [6.2 seconds duration] We bekijken de formulering en gaan daarna verder met de overige punten.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Measured formal phrasing, moderate volume, no theatrical shouting. Situation: Read a meeting agenda seriously after noticing a harmless absurdity in its wording.
SCRIPT:
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Het volgende punt gaat over de nieuwe regels voor onze gedeelde keuken.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] Blijkbaar heeft de lepelcommissie... een aangepaste verklaring ingediend.
[0.3 seconds pause]
(Measured formal phrasing, moderate volume, no theatrical shouting.) [6.2 seconds duration] We bekijken de formulering en gaan daarna verder met de overige punten.
Literal text, identical within the pair
Het volgende punt gaat over de nieuwe regels voor onze gedeelde keuken. Blijkbaar heeft de lepelcommissie... een aangepaste verklaring ingediend. We bekijken de formulering en gaan daarna verder met de overige punten.
Danke für den überarbeiteten Plan; ich habe ihn gerade vor mir. Ein paar Einzelheiten würde ich gern noch besprechen... vielleicht nach der Sitzung. Für jetzt sollten wir sicherstellen, dass alle dieselbe Fassung haben.
Directed masked acting · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting. The outward performance is polite friendliness. The concealed FICTIONAL character subtext is Anger. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Courtesy stays intact; let only a slight muscular tightness suggest the irritation.) [6.2 seconds duration] Danke für den überarbeiteten Plan; ich habe ihn gerade vor mir.
[0.3 seconds pause]
(Maintain the friendly facade, without raised volume or sarcastic laughter.) [6.2 seconds duration] Ein paar Einzelheiten würde ich gern noch besprechen... vielleicht nach der Sitzung.
[0.3 seconds pause]
(Finish helpfully and professionally; do not turn this into an angry speech.) [6.2 seconds duration] Für jetzt sollten wir sicherstellen, dass alle dieselbe Fassung haben.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting.
SCRIPT:
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Danke für den überarbeiteten Plan; ich habe ihn gerade vor mir.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Ein paar Einzelheiten würde ich gern noch besprechen... vielleicht nach der Sitzung.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Für jetzt sollten wir sicherstellen, dass alle dieselbe Fassung haben.
Literal text, identical within the pair
Danke für den überarbeiteten Plan; ich habe ihn gerade vor mir. Ein paar Einzelheiten würde ich gern noch besprechen... vielleicht nach der Sitzung. Für jetzt sollten wir sicherstellen, dass alle dieselbe Fassung haben.
Thanks for sending the revised plan; I have it open in front of me. There are a few details I would like us to go over... perhaps after the meeting. For now, let us make sure everyone has the same version.
Directed masked acting · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.44s · seed 202610220 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting. The outward performance is polite friendliness. The concealed FICTIONAL character subtext is Anger. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Courtesy stays intact; let only a slight muscular tightness suggest the irritation.) [6.2 seconds duration] Thanks for sending the revised plan; I have it open in front of me.
[0.3 seconds pause]
(Maintain the friendly facade, without raised volume or sarcastic laughter.) [6.2 seconds duration] There are a few details I would like us to go over... perhaps after the meeting.
[0.3 seconds pause]
(Finish helpfully and professionally; do not turn this into an angry speech.) [6.2 seconds duration] For now, let us make sure everyone has the same version.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting.
SCRIPT:
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Thanks for sending the revised plan; I have it open in front of me.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] There are a few details I would like us to go over... perhaps after the meeting.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] For now, let us make sure everyone has the same version.
Literal text, identical within the pair
Thanks for sending the revised plan; I have it open in front of me. There are a few details I would like us to go over... perhaps after the meeting. For now, let us make sure everyone has the same version.
Gracias por enviar el nuevo plan; lo tengo abierto delante de mí. Hay algunos detalles que me gustaría revisar... quizá después de la reunión. De momento, asegurémonos de que todos tengan la misma versión.
Directed masked acting · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610220 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.12s · seed 202610220 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting. The outward performance is polite friendliness. The concealed FICTIONAL character subtext is Anger. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Courtesy stays intact; let only a slight muscular tightness suggest the irritation.) [6.2 seconds duration] Gracias por enviar el nuevo plan; lo tengo abierto delante de mí.
[0.3 seconds pause]
(Maintain the friendly facade, without raised volume or sarcastic laughter.) [6.2 seconds duration] Hay algunos detalles que me gustaría revisar... quizá después de la reunión.
[0.3 seconds pause]
(Finish helpfully and professionally; do not turn this into an angry speech.) [6.2 seconds duration] De momento, asegurémonos de que todos tengan la misma versión.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting.
SCRIPT:
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Gracias por enviar el nuevo plan; lo tengo abierto delante de mí.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Hay algunos detalles que me gustaría revisar... quizá después de la reunión.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] De momento, asegurémonos de que todos tengan la misma versión.
Literal text, identical within the pair
Gracias por enviar el nuevo plan; lo tengo abierto delante de mí. Hay algunos detalles que me gustaría revisar... quizá después de la reunión. De momento, asegurémonos de que todos tengan la misma versión.
Merci pour le nouveau plan; je viens de l’ouvrir devant moi. Il y a quelques détails que je voudrais revoir... peut-être après la réunion. Pour le moment, assurons-nous que tout le monde a la même version.
Directed masked acting · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610220 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting. The outward performance is polite friendliness. The concealed FICTIONAL character subtext is Anger. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Courtesy stays intact; let only a slight muscular tightness suggest the irritation.) [6.2 seconds duration] Merci pour le nouveau plan; je viens de l’ouvrir devant moi.
[0.3 seconds pause]
(Maintain the friendly facade, without raised volume or sarcastic laughter.) [6.2 seconds duration] Il y a quelques détails que je voudrais revoir... peut-être après la réunion.
[0.3 seconds pause]
(Finish helpfully and professionally; do not turn this into an angry speech.) [6.2 seconds duration] Pour le moment, assurons-nous que tout le monde a la même version.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting.
SCRIPT:
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Merci pour le nouveau plan; je viens de l’ouvrir devant moi.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Il y a quelques détails que je voudrais revoir... peut-être après la réunion.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Pour le moment, assurons-nous que tout le monde a la même version.
Literal text, identical within the pair
Merci pour le nouveau plan; je viens de l’ouvrir devant moi. Il y a quelques détails que je voudrais revoir... peut-être après la réunion. Pour le moment, assurons-nous que tout le monde a la même version.
Bedankt voor het aangepaste plan; ik heb het hier voor me. Er zijn een paar details die ik nog wil bespreken... misschien na het overleg. Laten we eerst zorgen dat iedereen dezelfde versie heeft.
Directed masked acting · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610220 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.12s · seed 202610220 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting. The outward performance is polite friendliness. The concealed FICTIONAL character subtext is Anger. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Courtesy stays intact; let only a slight muscular tightness suggest the irritation.) [6.2 seconds duration] Bedankt voor het aangepaste plan; ik heb het hier voor me.
[0.3 seconds pause]
(Maintain the friendly facade, without raised volume or sarcastic laughter.) [6.2 seconds duration] Er zijn een paar details die ik nog wil bespreken... misschien na het overleg.
[0.3 seconds pause]
(Finish helpfully and professionally; do not turn this into an angry speech.) [6.2 seconds duration] Laten we eerst zorgen dat iedereen dezelfde versie heeft.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, clear conversational phrasing, a courteous professional rhythm. Situation: A colleague has changed an agreed plan without asking; answer during a public meeting.
SCRIPT:
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Bedankt voor het aangepaste plan; ik heb het hier voor me.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Er zijn een paar details die ik nog wil bespreken... misschien na het overleg.
[0.3 seconds pause]
(Moderate volume, clear conversational phrasing, a courteous professional rhythm.) [6.2 seconds duration] Laten we eerst zorgen dat iedereen dezelfde versie heeft.
Literal text, identical within the pair
Bedankt voor het aangepaste plan; ik heb het hier voor me. Er zijn een paar details die ik nog wil bespreken... misschien na het overleg. Laten we eerst zorgen dat iedereen dezelfde versie heeft.
Die Rückmeldung ist da, und damit können wir einiges anfangen. Ich dachte, der letzte Abschnitt würde vielleicht... na ja, wir schauen gemeinsam darauf. Bring morgen deine Notizen mit, dann überlegen wir den nächsten Schritt.
Directed masked acting · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result. The outward performance is supportive encouragement. The concealed FICTIONAL character subtext is Disappointment. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the supportive encouragement over private disappointment.) [6.2 seconds duration] Die Rückmeldung ist da, und damit können wir einiges anfangen.
[0.3 seconds pause]
(Let one slight vocal drop expose disappointment during the hesitation.) [6.2 seconds duration] Ich dachte, der letzte Abschnitt würde vielleicht... na ja, wir schauen gemeinsam darauf.
[0.3 seconds pause]
(Restore the encouraging facade without sounding artificially ecstatic.) [6.2 seconds duration] Bring morgen deine Notizen mit, dann überlegen wir den nächsten Schritt.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result.
SCRIPT:
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Die Rückmeldung ist da, und damit können wir einiges anfangen.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Ich dachte, der letzte Abschnitt würde vielleicht... na ja, wir schauen gemeinsam darauf.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Bring morgen deine Notizen mit, dann überlegen wir den nächsten Schritt.
Literal text, identical within the pair
Die Rückmeldung ist da, und damit können wir einiges anfangen. Ich dachte, der letzte Abschnitt würde vielleicht... na ja, wir schauen gemeinsam darauf. Bring morgen deine Notizen mit, dann überlegen wir den nächsten Schritt.
We have the feedback now, and there is plenty we can use. I thought the last section might... well, we can look at it together. Bring your notes tomorrow and we will decide on the next step.
Directed masked acting · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result. The outward performance is supportive encouragement. The concealed FICTIONAL character subtext is Disappointment. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the supportive encouragement over private disappointment.) [6.2 seconds duration] We have the feedback now, and there is plenty we can use.
[0.3 seconds pause]
(Let one slight vocal drop expose disappointment during the hesitation.) [6.2 seconds duration] I thought the last section might... well, we can look at it together.
[0.3 seconds pause]
(Restore the encouraging facade without sounding artificially ecstatic.) [6.2 seconds duration] Bring your notes tomorrow and we will decide on the next step.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result.
SCRIPT:
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] We have the feedback now, and there is plenty we can use.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] I thought the last section might... well, we can look at it together.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Bring your notes tomorrow and we will decide on the next step.
Literal text, identical within the pair
We have the feedback now, and there is plenty we can use. I thought the last section might... well, we can look at it together. Bring your notes tomorrow and we will decide on the next step.
Ya tenemos los comentarios y hay mucho que podemos aprovechar. Pensaba que la última parte quizá... bueno, podemos revisarla juntos. Trae tus notas mañana y decidiremos cuál es el siguiente paso.
Directed masked acting · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result. The outward performance is supportive encouragement. The concealed FICTIONAL character subtext is Disappointment. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the supportive encouragement over private disappointment.) [6.2 seconds duration] Ya tenemos los comentarios y hay mucho que podemos aprovechar.
[0.3 seconds pause]
(Let one slight vocal drop expose disappointment during the hesitation.) [6.2 seconds duration] Pensaba que la última parte quizá... bueno, podemos revisarla juntos.
[0.3 seconds pause]
(Restore the encouraging facade without sounding artificially ecstatic.) [6.2 seconds duration] Trae tus notas mañana y decidiremos cuál es el siguiente paso.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result.
SCRIPT:
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Ya tenemos los comentarios y hay mucho que podemos aprovechar.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Pensaba que la última parte quizá... bueno, podemos revisarla juntos.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Trae tus notas mañana y decidiremos cuál es el siguiente paso.
Literal text, identical within the pair
Ya tenemos los comentarios y hay mucho que podemos aprovechar. Pensaba que la última parte quizá... bueno, podemos revisarla juntos. Trae tus notas mañana y decidiremos cuál es el siguiente paso.
Nous avons reçu les remarques, et il y a beaucoup à en tirer. Je pensais que la dernière partie pourrait... enfin, regardons cela ensemble. Apporte tes notes demain et nous déciderons de la prochaine étape.
Directed masked acting · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.36s · seed 202611028 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result. The outward performance is supportive encouragement. The concealed FICTIONAL character subtext is Disappointment. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the supportive encouragement over private disappointment.) [6.2 seconds duration] Nous avons reçu les remarques, et il y a beaucoup à en tirer.
[0.3 seconds pause]
(Let one slight vocal drop expose disappointment during the hesitation.) [6.2 seconds duration] Je pensais que la dernière partie pourrait... enfin, regardons cela ensemble.
[0.3 seconds pause]
(Restore the encouraging facade without sounding artificially ecstatic.) [6.2 seconds duration] Apporte tes notes demain et nous déciderons de la prochaine étape.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result.
SCRIPT:
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Nous avons reçu les remarques, et il y a beaucoup à en tirer.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Je pensais que la dernière partie pourrait... enfin, regardons cela ensemble.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Apporte tes notes demain et nous déciderons de la prochaine étape.
Literal text, identical within the pair
Nous avons reçu les remarques, et il y a beaucoup à en tirer. Je pensais que la dernière partie pourrait... enfin, regardons cela ensemble. Apporte tes notes demain et nous déciderons de la prochaine étape.
We hebben de feedback nu en daar kunnen we veel mee. Ik dacht dat het laatste gedeelte misschien... goed, we kunnen er samen naar kijken. Neem morgen je aantekeningen mee, dan bepalen we de volgende stap.
Directed masked acting · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611028 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202611028 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.12s · seed 202611028 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result. The outward performance is supportive encouragement. The concealed FICTIONAL character subtext is Disappointment. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the supportive encouragement over private disappointment.) [6.2 seconds duration] We hebben de feedback nu en daar kunnen we veel mee.
[0.3 seconds pause]
(Let one slight vocal drop expose disappointment during the hesitation.) [6.2 seconds duration] Ik dacht dat het laatste gedeelte misschien... goed, we kunnen er samen naar kijken.
[0.3 seconds pause]
(Restore the encouraging facade without sounding artificially ecstatic.) [6.2 seconds duration] Neem morgen je aantekeningen mee, dan bepalen we de volgende stap.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Moderate volume, conversational cadence, no musical or advertising delivery. Situation: Encourage a teammate after a shared project receives a disappointing result.
SCRIPT:
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] We hebben de feedback nu en daar kunnen we veel mee.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Ik dacht dat het laatste gedeelte misschien... goed, we kunnen er samen naar kijken.
[0.3 seconds pause]
(Moderate volume, conversational cadence, no musical or advertising delivery.) [6.2 seconds duration] Neem morgen je aantekeningen mee, dan bepalen we de volgende stap.
Literal text, identical within the pair
We hebben de feedback nu en daar kunnen we veel mee. Ik dacht dat het laatste gedeelte misschien... goed, we kunnen er samen naar kijken. Neem morgen je aantekeningen mee, dan bepalen we de volgende stap.
Das ist ein interessantes Rezept; wie bist du auf die Zutaten gekommen? Die Konsistenz ist schon... anders, als ich erwartet hatte. Magst du mir sagen, was du ganz zum Schluss hinzugegeben hast?
Directed masked acting · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade. The outward performance is courteous curiosity. The concealed FICTIONAL character subtext is Disgust. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Sound interested and polite despite concealed disgust.) [6.2 seconds duration] Das ist ein interessantes Rezept; wie bist du auf die Zutaten gekommen?
[0.3 seconds pause]
(A small deliberative pause is allowed; no retching or exaggerated rejection.) [6.2 seconds duration] Die Konsistenz ist schon... anders, als ich erwartet hatte.
[0.3 seconds pause]
(Maintain tactful curiosity without exposing the hidden feeling.) [6.2 seconds duration] Magst du mir sagen, was du ganz zum Schluss hinzugegeben hast?
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade.
SCRIPT:
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Das ist ein interessantes Rezept; wie bist du auf die Zutaten gekommen?
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Die Konsistenz ist schon... anders, als ich erwartet hatte.
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Magst du mir sagen, was du ganz zum Schluss hinzugegeben hast?
Literal text, identical within the pair
Das ist ein interessantes Rezept; wie bist du auf die Zutaten gekommen? Die Konsistenz ist schon... anders, als ich erwartet hatte. Magst du mir sagen, was du ganz zum Schluss hinzugegeben hast?
That is an interesting recipe; how did you decide on the ingredients? The texture is quite... different from what I expected. Would you tell me which part you added at the very end?
Directed masked acting · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade. The outward performance is courteous curiosity. The concealed FICTIONAL character subtext is Disgust. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Sound interested and polite despite concealed disgust.) [6.2 seconds duration] That is an interesting recipe; how did you decide on the ingredients?
[0.3 seconds pause]
(A small deliberative pause is allowed; no retching or exaggerated rejection.) [6.2 seconds duration] The texture is quite... different from what I expected.
[0.3 seconds pause]
(Maintain tactful curiosity without exposing the hidden feeling.) [6.2 seconds duration] Would you tell me which part you added at the very end?
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade.
SCRIPT:
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] That is an interesting recipe; how did you decide on the ingredients?
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] The texture is quite... different from what I expected.
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Would you tell me which part you added at the very end?
Literal text, identical within the pair
That is an interesting recipe; how did you decide on the ingredients? The texture is quite... different from what I expected. Would you tell me which part you added at the very end?
Es una receta interesante; ¿cómo elegiste los ingredientes? La textura es bastante... distinta de lo que esperaba. ¿Puedes contarme qué añadiste justo al final?
Directed masked acting · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610725 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.12s · seed 202610725 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade. The outward performance is courteous curiosity. The concealed FICTIONAL character subtext is Disgust. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Sound interested and polite despite concealed disgust.) [6.2 seconds duration] Es una receta interesante; ¿cómo elegiste los ingredientes?
[0.3 seconds pause]
(A small deliberative pause is allowed; no retching or exaggerated rejection.) [6.2 seconds duration] La textura es bastante... distinta de lo que esperaba.
[0.3 seconds pause]
(Maintain tactful curiosity without exposing the hidden feeling.) [6.2 seconds duration] ¿Puedes contarme qué añadiste justo al final?
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade.
SCRIPT:
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Es una receta interesante; ¿cómo elegiste los ingredientes?
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] La textura es bastante... distinta de lo que esperaba.
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] ¿Puedes contarme qué añadiste justo al final?
Literal text, identical within the pair
Es una receta interesante; ¿cómo elegiste los ingredientes? La textura es bastante... distinta de lo que esperaba. ¿Puedes contarme qué añadiste justo al final?
C’est une recette intéressante; comment as-tu choisi les ingrédients? La texture est assez... différente de ce que j’imaginais. Tu peux me dire ce que tu as ajouté tout à la fin?
Directed masked acting · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610725 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade. The outward performance is courteous curiosity. The concealed FICTIONAL character subtext is Disgust. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Sound interested and polite despite concealed disgust.) [6.2 seconds duration] C’est une recette intéressante; comment as-tu choisi les ingrédients?
[0.3 seconds pause]
(A small deliberative pause is allowed; no retching or exaggerated rejection.) [6.2 seconds duration] La texture est assez... différente de ce que j’imaginais.
[0.3 seconds pause]
(Maintain tactful curiosity without exposing the hidden feeling.) [6.2 seconds duration] Tu peux me dire ce que tu as ajouté tout à la fin?
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade.
SCRIPT:
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] C’est une recette intéressante; comment as-tu choisi les ingrédients?
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] La texture est assez... différente de ce que j’imaginais.
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Tu peux me dire ce que tu as ajouté tout à la fin?
Literal text, identical within the pair
C’est une recette intéressante; comment as-tu choisi les ingrédients? La texture est assez... différente de ce que j’imaginais. Tu peux me dire ce que tu as ajouté tout à la fin?
Dat is een interessant recept; hoe kwam je op die ingrediënten? De structuur is wel... anders dan ik had verwacht. Wil je vertellen wat je helemaal op het einde hebt toegevoegd?
Directed masked acting · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202610725 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610725 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade. The outward performance is courteous curiosity. The concealed FICTIONAL character subtext is Disgust. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Sound interested and polite despite concealed disgust.) [6.2 seconds duration] Dat is een interessant recept; hoe kwam je op die ingrediënten?
[0.3 seconds pause]
(A small deliberative pause is allowed; no retching or exaggerated rejection.) [6.2 seconds duration] De structuur is wel... anders dan ik had verwacht.
[0.3 seconds pause]
(Maintain tactful curiosity without exposing the hidden feeling.) [6.2 seconds duration] Wil je vertellen wat je helemaal op het einde hebt toegevoegd?
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Clear moderate-volume speech, polite conversational rhythm, no gagging sounds. Situation: A friend offers an unusual homemade dish; the fictional speaker keeps a courteous facade.
SCRIPT:
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Dat is een interessant recept; hoe kwam je op die ingrediënten?
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] De structuur is wel... anders dan ik had verwacht.
[0.3 seconds pause]
(Clear moderate-volume speech, polite conversational rhythm, no gagging sounds.) [6.2 seconds duration] Wil je vertellen wat je helemaal op het einde hebt toegevoegd?
Literal text, identical within the pair
Dat is een interessant recept; hoe kwam je op die ingrediënten? De structuur is wel... anders dan ik had verwacht. Wil je vertellen wat je helemaal op het einde hebt toegevoegd?
Ich habe heute Morgen die Ankündigung gesehen; herzlichen Glückwunsch zur neuen Aufgabe. Da gibt es bestimmt viel zu organisieren... ich kann dir meine Notizen schicken. Sag einfach Bescheid, wenn du einen Moment hast, dann gehen wir sie durch.
Directed masked acting · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted. The outward performance is warm congratulations. The concealed FICTIONAL character subtext is Envy. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Offer sincere-sounding social warmth while concealing envy.) [6.2 seconds duration] Ich habe heute Morgen die Ankündigung gesehen; herzlichen Glückwunsch zur neuen Aufgabe.
[0.3 seconds pause]
(Allow a small thoughtful pause, not a bitter or mocking inflection.) [6.2 seconds duration] Da gibt es bestimmt viel zu organisieren... ich kann dir meine Notizen schicken.
[0.3 seconds pause]
(Keep the congratulatory facade to the last word.) [6.2 seconds duration] Sag einfach Bescheid, wenn du einen Moment hast, dann gehen wir sie durch.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted.
SCRIPT:
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Ich habe heute Morgen die Ankündigung gesehen; herzlichen Glückwunsch zur neuen Aufgabe.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Da gibt es bestimmt viel zu organisieren... ich kann dir meine Notizen schicken.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Sag einfach Bescheid, wenn du einen Moment hast, dann gehen wir sie durch.
Literal text, identical within the pair
Ich habe heute Morgen die Ankündigung gesehen; herzlichen Glückwunsch zur neuen Aufgabe. Da gibt es bestimmt viel zu organisieren... ich kann dir meine Notizen schicken. Sag einfach Bescheid, wenn du einen Moment hast, dann gehen wir sie durch.
I saw the announcement this morning; congratulations on the new role. You will have a lot to organize... I can send you my notes. Let me know when you have a moment and we can go through them.
Directed masked acting · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted. The outward performance is warm congratulations. The concealed FICTIONAL character subtext is Envy. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Offer sincere-sounding social warmth while concealing envy.) [6.2 seconds duration] I saw the announcement this morning; congratulations on the new role.
[0.3 seconds pause]
(Allow a small thoughtful pause, not a bitter or mocking inflection.) [6.2 seconds duration] You will have a lot to organize... I can send you my notes.
[0.3 seconds pause]
(Keep the congratulatory facade to the last word.) [6.2 seconds duration] Let me know when you have a moment and we can go through them.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted.
SCRIPT:
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] I saw the announcement this morning; congratulations on the new role.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] You will have a lot to organize... I can send you my notes.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Let me know when you have a moment and we can go through them.
Literal text, identical within the pair
I saw the announcement this morning; congratulations on the new role. You will have a lot to organize... I can send you my notes. Let me know when you have a moment and we can go through them.
He visto el anuncio esta mañana; enhorabuena por tu nuevo puesto. Tendrás muchas cosas que organizar... puedo enviarte mis notas. Avísame cuando tengas un momento y las revisamos juntos.
Directed masked acting · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted. The outward performance is warm congratulations. The concealed FICTIONAL character subtext is Envy. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Offer sincere-sounding social warmth while concealing envy.) [6.2 seconds duration] He visto el anuncio esta mañana; enhorabuena por tu nuevo puesto.
[0.3 seconds pause]
(Allow a small thoughtful pause, not a bitter or mocking inflection.) [6.2 seconds duration] Tendrás muchas cosas que organizar... puedo enviarte mis notas.
[0.3 seconds pause]
(Keep the congratulatory facade to the last word.) [6.2 seconds duration] Avísame cuando tengas un momento y las revisamos juntos.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted.
SCRIPT:
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] He visto el anuncio esta mañana; enhorabuena por tu nuevo puesto.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Tendrás muchas cosas que organizar... puedo enviarte mis notas.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Avísame cuando tengas un momento y las revisamos juntos.
Literal text, identical within the pair
He visto el anuncio esta mañana; enhorabuena por tu nuevo puesto. Tendrás muchas cosas que organizar... puedo enviarte mis notas. Avísame cuando tengas un momento y las revisamos juntos.
J’ai vu l’annonce ce matin; félicitations pour ton nouveau poste. Tu auras beaucoup de choses à organiser... je peux t’envoyer mes notes. Dis-moi quand tu auras un moment et nous les regarderons ensemble.
Directed masked acting · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted. The outward performance is warm congratulations. The concealed FICTIONAL character subtext is Envy. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Offer sincere-sounding social warmth while concealing envy.) [6.2 seconds duration] J’ai vu l’annonce ce matin; félicitations pour ton nouveau poste.
[0.3 seconds pause]
(Allow a small thoughtful pause, not a bitter or mocking inflection.) [6.2 seconds duration] Tu auras beaucoup de choses à organiser... je peux t’envoyer mes notes.
[0.3 seconds pause]
(Keep the congratulatory facade to the last word.) [6.2 seconds duration] Dis-moi quand tu auras un moment et nous les regarderons ensemble.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted.
SCRIPT:
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] J’ai vu l’annonce ce matin; félicitations pour ton nouveau poste.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Tu auras beaucoup de choses à organiser... je peux t’envoyer mes notes.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Dis-moi quand tu auras un moment et nous les regarderons ensemble.
Literal text, identical within the pair
J’ai vu l’annonce ce matin; félicitations pour ton nouveau poste. Tu auras beaucoup de choses à organiser... je peux t’envoyer mes notes. Dis-moi quand tu auras un moment et nous les regarderons ensemble.
Ik zag de aankondiging vanochtend; gefeliciteerd met je nieuwe functie. Je zult veel moeten organiseren... ik kan je mijn aantekeningen sturen. Laat maar weten wanneer je even tijd hebt, dan nemen we ze door.
Directed masked acting · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.12s · seed 202610624 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610624 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted. The outward performance is warm congratulations. The concealed FICTIONAL character subtext is Envy. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Offer sincere-sounding social warmth while concealing envy.) [6.2 seconds duration] Ik zag de aankondiging vanochtend; gefeliciteerd met je nieuwe functie.
[0.3 seconds pause]
(Allow a small thoughtful pause, not a bitter or mocking inflection.) [6.2 seconds duration] Je zult veel moeten organiseren... ik kan je mijn aantekeningen sturen.
[0.3 seconds pause]
(Keep the congratulatory facade to the last word.) [6.2 seconds duration] Laat maar weten wanneer je even tijd hebt, dan nemen we ze door.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational phrasing, moderate volume, unhurried articulation. Situation: Congratulate a colleague who received a promotion the fictional speaker had also wanted.
SCRIPT:
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Ik zag de aankondiging vanochtend; gefeliciteerd met je nieuwe functie.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Je zult veel moeten organiseren... ik kan je mijn aantekeningen sturen.
[0.3 seconds pause]
(Conversational phrasing, moderate volume, unhurried articulation.) [6.2 seconds duration] Laat maar weten wanneer je even tijd hebt, dan nemen we ze door.
Literal text, identical within the pair
Ik zag de aankondiging vanochtend; gefeliciteerd met je nieuwe functie. Je zult veel moeten organiseren... ik kan je mijn aantekeningen sturen. Laat maar weten wanneer je even tijd hebt, dan nemen we ze door.
The delayed lift · German
Concealed subtext: Fear · Outward: calm reassurance · Mask: breaking
Der Notrufknopf funktioniert, und es ist schon jemand unterwegs. Wir können einfach hier warten... ja, ich habe das Geräusch auch gehört. Gehen wir ein Stück von der Tür weg und geben ihnen einen Moment.
Directed masked acting · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance. The outward performance is calm reassurance. The concealed FICTIONAL character subtext is Fear. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the reassurance calm despite the concealed fear.) [6.2 seconds duration] Der Notrufknopf funktioniert, und es ist schon jemand unterwegs.
[0.3 seconds pause]
(One tiny hesitation and a caught breath briefly expose fear; do not scream.) [6.2 seconds duration] Wir können einfach hier warten... ja, ich habe das Geräusch auch gehört.
[0.3 seconds pause]
(Recover the calm facade and give a simple practical suggestion.) [6.2 seconds duration] Gehen wir ein Stück von der Tür weg und geben ihnen einen Moment.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance.
SCRIPT:
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Der Notrufknopf funktioniert, und es ist schon jemand unterwegs.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Wir können einfach hier warten... ja, ich habe das Geräusch auch gehört.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Gehen wir ein Stück von der Tür weg und geben ihnen einen Moment.
Literal text, identical within the pair
Der Notrufknopf funktioniert, und es ist schon jemand unterwegs. Wir können einfach hier warten... ja, ich habe das Geräusch auch gehört. Gehen wir ein Stück von der Tür weg und geben ihnen einen Moment.
The delayed lift · English
Concealed subtext: Fear · Outward: calm reassurance · Mask: breaking
The help button is working, and somebody is already on the way. We can just wait here... yes, I heard that sound too. Let us stand back from the door and give them a moment.
Directed masked acting · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.36s · seed 202610321 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance. The outward performance is calm reassurance. The concealed FICTIONAL character subtext is Fear. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the reassurance calm despite the concealed fear.) [6.2 seconds duration] The help button is working, and somebody is already on the way.
[0.3 seconds pause]
(One tiny hesitation and a caught breath briefly expose fear; do not scream.) [6.2 seconds duration] We can just wait here... yes, I heard that sound too.
[0.3 seconds pause]
(Recover the calm facade and give a simple practical suggestion.) [6.2 seconds duration] Let us stand back from the door and give them a moment.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance.
SCRIPT:
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] The help button is working, and somebody is already on the way.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] We can just wait here... yes, I heard that sound too.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Let us stand back from the door and give them a moment.
Literal text, identical within the pair
The help button is working, and somebody is already on the way. We can just wait here... yes, I heard that sound too. Let us stand back from the door and give them a moment.
The delayed lift · Spanish
Concealed subtext: Fear · Outward: calm reassurance · Mask: breaking
El botón de ayuda funciona y ya viene alguien de camino. Podemos esperar aquí... sí, yo también he oído ese ruido. Apartémonos un poco de la puerta y demos un momento al personal.
Directed masked acting · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance. The outward performance is calm reassurance. The concealed FICTIONAL character subtext is Fear. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the reassurance calm despite the concealed fear.) [6.2 seconds duration] El botón de ayuda funciona y ya viene alguien de camino.
[0.3 seconds pause]
(One tiny hesitation and a caught breath briefly expose fear; do not scream.) [6.2 seconds duration] Podemos esperar aquí... sí, yo también he oído ese ruido.
[0.3 seconds pause]
(Recover the calm facade and give a simple practical suggestion.) [6.2 seconds duration] Apartémonos un poco de la puerta y demos un momento al personal.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance.
SCRIPT:
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] El botón de ayuda funciona y ya viene alguien de camino.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Podemos esperar aquí... sí, yo también he oído ese ruido.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Apartémonos un poco de la puerta y demos un momento al personal.
Literal text, identical within the pair
El botón de ayuda funciona y ya viene alguien de camino. Podemos esperar aquí... sí, yo también he oído ese ruido. Apartémonos un poco de la puerta y demos un momento al personal.
The delayed lift · French
Concealed subtext: Fear · Outward: calm reassurance · Mask: breaking
Le bouton d’appel fonctionne et quelqu’un est déjà en route. Nous pouvons simplement attendre ici... oui, j’ai entendu ce bruit aussi. Éloignons-nous un peu de la porte et laissons-leur un moment.
Directed masked acting · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance. The outward performance is calm reassurance. The concealed FICTIONAL character subtext is Fear. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the reassurance calm despite the concealed fear.) [6.2 seconds duration] Le bouton d’appel fonctionne et quelqu’un est déjà en route.
[0.3 seconds pause]
(One tiny hesitation and a caught breath briefly expose fear; do not scream.) [6.2 seconds duration] Nous pouvons simplement attendre ici... oui, j’ai entendu ce bruit aussi.
[0.3 seconds pause]
(Recover the calm facade and give a simple practical suggestion.) [6.2 seconds duration] Éloignons-nous un peu de la porte et laissons-leur un moment.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance.
SCRIPT:
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Le bouton d’appel fonctionne et quelqu’un est déjà en route.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Nous pouvons simplement attendre ici... oui, j’ai entendu ce bruit aussi.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Éloignons-nous un peu de la porte et laissons-leur un moment.
Literal text, identical within the pair
Le bouton d’appel fonctionne et quelqu’un est déjà en route. Nous pouvons simplement attendre ici... oui, j’ai entendu ce bruit aussi. Éloignons-nous un peu de la porte et laissons-leur un moment.
The delayed lift · Dutch
Concealed subtext: Fear · Outward: calm reassurance · Mask: breaking
De alarmknop werkt en er is al iemand onderweg. We kunnen hier gewoon wachten... ja, ik hoorde dat geluid ook. Laten we wat afstand van de deur houden en even wachten.
Directed masked acting · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610321 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance. The outward performance is calm reassurance. The concealed FICTIONAL character subtext is Fear. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Keep the reassurance calm despite the concealed fear.) [6.2 seconds duration] De alarmknop werkt en er is al iemand onderweg.
[0.3 seconds pause]
(One tiny hesitation and a caught breath briefly expose fear; do not scream.) [6.2 seconds duration] We kunnen hier gewoon wachten... ja, ik hoorde dat geluid ook.
[0.3 seconds pause]
(Recover the calm facade and give a simple practical suggestion.) [6.2 seconds duration] Laten we wat afstand van de deur houden en even wachten.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Quiet-to-moderate volume, conversational pace, short natural breaths. Situation: A lift has stopped briefly; reassure the other passenger while waiting for assistance.
SCRIPT:
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] De alarmknop werkt en er is al iemand onderweg.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] We kunnen hier gewoon wachten... ja, ik hoorde dat geluid ook.
[0.3 seconds pause]
(Quiet-to-moderate volume, conversational pace, short natural breaths.) [6.2 seconds duration] Laten we wat afstand van de deur houden en even wachten.
Literal text, identical within the pair
De alarmknop werkt en er is al iemand onderweg. We kunnen hier gewoon wachten... ja, ik hoorde dat geluid ook. Laten we wat afstand van de deur houden en even wachten.
Kommt herein, Tee ist genug da, und die Tassen stehen schon bereit. Hier habe ich noch eine hingestellt... macht nichts, die stelle ich weg. Nehmt doch den Stuhl am Fenster, während ich die Kekse hole.
Directed masked acting · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it. The outward performance is cheerful hospitality. The concealed FICTIONAL character subtext is Grief. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Keep the welcoming cheerfulness; do not sob or announce grief.) [6.2 seconds duration] Kommt herein, Tee ist genug da, und die Tassen stehen schon bereit.
[0.3 seconds pause]
(A reflective micro-pause is allowed without letting the facade collapse.) [6.2 seconds duration] Hier habe ich noch eine hingestellt... macht nichts, die stelle ich weg.
[0.3 seconds pause]
(Continue the practical hospitality with a gently lifted cadence.) [6.2 seconds duration] Nehmt doch den Stuhl am Fenster, während ich die Kekse hole.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it.
SCRIPT:
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Kommt herein, Tee ist genug da, und die Tassen stehen schon bereit.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Hier habe ich noch eine hingestellt... macht nichts, die stelle ich weg.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Nehmt doch den Stuhl am Fenster, während ich die Kekse hole.
Literal text, identical within the pair
Kommt herein, Tee ist genug da, und die Tassen stehen schon bereit. Hier habe ich noch eine hingestellt... macht nichts, die stelle ich weg. Nehmt doch den Stuhl am Fenster, während ich die Kekse hole.
Come in, there is plenty of tea and I have put the cups out. I set an extra one here... never mind, I can move it. Please take the chair by the window while I find the biscuits.
Directed masked acting · prompt only
Actual 19.12s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it. The outward performance is cheerful hospitality. The concealed FICTIONAL character subtext is Grief. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Keep the welcoming cheerfulness; do not sob or announce grief.) [6.2 seconds duration] Come in, there is plenty of tea and I have put the cups out.
[0.3 seconds pause]
(A reflective micro-pause is allowed without letting the facade collapse.) [6.2 seconds duration] I set an extra one here... never mind, I can move it.
[0.3 seconds pause]
(Continue the practical hospitality with a gently lifted cadence.) [6.2 seconds duration] Please take the chair by the window while I find the biscuits.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it.
SCRIPT:
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Come in, there is plenty of tea and I have put the cups out.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] I set an extra one here... never mind, I can move it.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Please take the chair by the window while I find the biscuits.
Literal text, identical within the pair
Come in, there is plenty of tea and I have put the cups out. I set an extra one here... never mind, I can move it. Please take the chair by the window while I find the biscuits.
Pasad, hay té de sobra y ya he sacado las tazas. He puesto una de más aquí... no importa, ahora la guardo. Sentaos junto a la ventana mientras voy a buscar las galletas.
Directed masked acting · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it. The outward performance is cheerful hospitality. The concealed FICTIONAL character subtext is Grief. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Keep the welcoming cheerfulness; do not sob or announce grief.) [6.2 seconds duration] Pasad, hay té de sobra y ya he sacado las tazas.
[0.3 seconds pause]
(A reflective micro-pause is allowed without letting the facade collapse.) [6.2 seconds duration] He puesto una de más aquí... no importa, ahora la guardo.
[0.3 seconds pause]
(Continue the practical hospitality with a gently lifted cadence.) [6.2 seconds duration] Sentaos junto a la ventana mientras voy a buscar las galletas.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it.
SCRIPT:
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Pasad, hay té de sobra y ya he sacado las tazas.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] He puesto una de más aquí... no importa, ahora la guardo.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Sentaos junto a la ventana mientras voy a buscar las galletas.
Literal text, identical within the pair
Pasad, hay té de sobra y ya he sacado las tazas. He puesto una de más aquí... no importa, ahora la guardo. Sentaos junto a la ventana mientras voy a buscar las galletas.
Entrez, il y a assez de thé et les tasses sont déjà sorties. J’en ai posé une de plus ici... ce n’est rien, je vais la ranger. Prenez la chaise près de la fenêtre pendant que je cherche les biscuits.
Directed masked acting · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610422 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.12s · seed 202610422 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it. The outward performance is cheerful hospitality. The concealed FICTIONAL character subtext is Grief. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Keep the welcoming cheerfulness; do not sob or announce grief.) [6.2 seconds duration] Entrez, il y a assez de thé et les tasses sont déjà sorties.
[0.3 seconds pause]
(A reflective micro-pause is allowed without letting the facade collapse.) [6.2 seconds duration] J’en ai posé une de plus ici... ce n’est rien, je vais la ranger.
[0.3 seconds pause]
(Continue the practical hospitality with a gently lifted cadence.) [6.2 seconds duration] Prenez la chaise près de la fenêtre pendant que je cherche les biscuits.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it.
SCRIPT:
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Entrez, il y a assez de thé et les tasses sont déjà sorties.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] J’en ai posé une de plus ici... ce n’est rien, je vais la ranger.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Prenez la chaise près de la fenêtre pendant que je cherche les biscuits.
Literal text, identical within the pair
Entrez, il y a assez de thé et les tasses sont déjà sorties. J’en ai posé une de plus ici... ce n’est rien, je vais la ranger. Prenez la chaise près de la fenêtre pendant que je cherche les biscuits.
Kom binnen, er is genoeg thee en de kopjes staan al klaar. Ik heb hier een extra kopje gezet... laat maar, ik zet het weg. Neem gerust de stoel bij het raam terwijl ik de koekjes pak.
Directed masked acting · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610422 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it. The outward performance is cheerful hospitality. The concealed FICTIONAL character subtext is Grief. Do not speak or explain these directions. Maintain the outward facade throughout; do not reveal the concealed feeling.
SCRIPT:
(Keep the welcoming cheerfulness; do not sob or announce grief.) [6.2 seconds duration] Kom binnen, er is genoeg thee en de kopjes staan al klaar.
[0.3 seconds pause]
(A reflective micro-pause is allowed without letting the facade collapse.) [6.2 seconds duration] Ik heb hier een extra kopje gezet... laat maar, ik zet het weg.
[0.3 seconds pause]
(Continue the practical hospitality with a gently lifted cadence.) [6.2 seconds duration] Neem gerust de stoel bij het raam terwijl ik de koekjes pak.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Light conversational cadence, close-miked moderate volume, gently articulated words. Situation: Host a small gathering after a private loss; the fictional character chooses not to discuss it.
SCRIPT:
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Kom binnen, er is genoeg thee en de kopjes staan al klaar.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Ik heb hier een extra kopje gezet... laat maar, ik zet het weg.
[0.3 seconds pause]
(Light conversational cadence, close-miked moderate volume, gently articulated words.) [6.2 seconds duration] Neem gerust de stoel bij het raam terwijl ik de koekjes pak.
Literal text, identical within the pair
Kom binnen, er is genoeg thee en de kopjes staan al klaar. Ik heb hier een extra kopje gezet... laat maar, ik zet het weg. Neem gerust de stoel bij het raam terwijl ik de koekjes pak.
Die Schlüssel sind in der Schublade neben dem Eingang aufgetaucht. Sie lagen unter den Unterlagen... ich habe sie jetzt auf den Tisch gelegt. Wir können abschließen, wenn du fertig bist, und den Rest morgen erledigen.
Directed masked acting · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search. The outward performance is matter-of-fact composure. The concealed FICTIONAL character subtext is Relief. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start matter-of-factly while concealing strong relief.) [6.2 seconds duration] Die Schlüssel sind in der Schublade neben dem Eingang aufgetaucht.
[0.3 seconds pause]
(One soft release of breath briefly reveals relief; keep the words intact.) [6.2 seconds duration] Sie lagen unter den Unterlagen... ich habe sie jetzt auf den Tisch gelegt.
[0.3 seconds pause]
(Return to the practical composed delivery.) [6.2 seconds duration] Wir können abschließen, wenn du fertig bist, und den Rest morgen erledigen.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search.
SCRIPT:
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Die Schlüssel sind in der Schublade neben dem Eingang aufgetaucht.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Sie lagen unter den Unterlagen... ich habe sie jetzt auf den Tisch gelegt.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Wir können abschließen, wenn du fertig bist, und den Rest morgen erledigen.
Literal text, identical within the pair
Die Schlüssel sind in der Schublade neben dem Eingang aufgetaucht. Sie lagen unter den Unterlagen... ich habe sie jetzt auf den Tisch gelegt. Wir können abschließen, wenn du fertig bist, und den Rest morgen erledigen.
The keys have turned up in the drawer by the entrance. They were underneath the papers... I have put them on the table now. We can lock up when you are ready and finish the rest tomorrow.
Directed masked acting · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search. The outward performance is matter-of-fact composure. The concealed FICTIONAL character subtext is Relief. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start matter-of-factly while concealing strong relief.) [6.2 seconds duration] The keys have turned up in the drawer by the entrance.
[0.3 seconds pause]
(One soft release of breath briefly reveals relief; keep the words intact.) [6.2 seconds duration] They were underneath the papers... I have put them on the table now.
[0.3 seconds pause]
(Return to the practical composed delivery.) [6.2 seconds duration] We can lock up when you are ready and finish the rest tomorrow.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search.
SCRIPT:
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] The keys have turned up in the drawer by the entrance.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] They were underneath the papers... I have put them on the table now.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] We can lock up when you are ready and finish the rest tomorrow.
Literal text, identical within the pair
The keys have turned up in the drawer by the entrance. They were underneath the papers... I have put them on the table now. We can lock up when you are ready and finish the rest tomorrow.
Han aparecido las llaves en el cajón de la entrada. Estaban debajo de los papeles... ya las he dejado sobre la mesa. Podemos cerrar cuando estés listo y terminar lo demás mañana.
Directed masked acting · prompt only
Actual 19.36s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search. The outward performance is matter-of-fact composure. The concealed FICTIONAL character subtext is Relief. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start matter-of-factly while concealing strong relief.) [6.2 seconds duration] Han aparecido las llaves en el cajón de la entrada.
[0.3 seconds pause]
(One soft release of breath briefly reveals relief; keep the words intact.) [6.2 seconds duration] Estaban debajo de los papeles... ya las he dejado sobre la mesa.
[0.3 seconds pause]
(Return to the practical composed delivery.) [6.2 seconds duration] Podemos cerrar cuando estés listo y terminar lo demás mañana.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search.
SCRIPT:
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Han aparecido las llaves en el cajón de la entrada.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Estaban debajo de los papeles... ya las he dejado sobre la mesa.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Podemos cerrar cuando estés listo y terminar lo demás mañana.
Literal text, identical within the pair
Han aparecido las llaves en el cajón de la entrada. Estaban debajo de los papeles... ya las he dejado sobre la mesa. Podemos cerrar cuando estés listo y terminar lo demás mañana.
Les clés ont été retrouvées dans le tiroir près de l’entrée. Elles étaient sous les papiers... je les ai posées sur la table. Nous pourrons fermer quand tu seras prêt et terminer le reste demain.
Directed masked acting · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.12s · seed 202611129 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search. The outward performance is matter-of-fact composure. The concealed FICTIONAL character subtext is Relief. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start matter-of-factly while concealing strong relief.) [6.2 seconds duration] Les clés ont été retrouvées dans le tiroir près de l’entrée.
[0.3 seconds pause]
(One soft release of breath briefly reveals relief; keep the words intact.) [6.2 seconds duration] Elles étaient sous les papiers... je les ai posées sur la table.
[0.3 seconds pause]
(Return to the practical composed delivery.) [6.2 seconds duration] Nous pourrons fermer quand tu seras prêt et terminer le reste demain.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search.
SCRIPT:
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Les clés ont été retrouvées dans le tiroir près de l’entrée.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Elles étaient sous les papiers... je les ai posées sur la table.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Nous pourrons fermer quand tu seras prêt et terminer le reste demain.
Literal text, identical within the pair
Les clés ont été retrouvées dans le tiroir près de l’entrée. Elles étaient sous les papiers... je les ai posées sur la table. Nous pourrons fermer quand tu seras prêt et terminer le reste demain.
De sleutels zijn gevonden in de lade bij de ingang. Ze lagen onder de papieren... ik heb ze nu op tafel gelegd. We kunnen afsluiten zodra je klaar bent en de rest morgen doen.
Directed masked acting · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202611129 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search. The outward performance is matter-of-fact composure. The concealed FICTIONAL character subtext is Relief. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Start matter-of-factly while concealing strong relief.) [6.2 seconds duration] De sleutels zijn gevonden in de lade bij de ingang.
[0.3 seconds pause]
(One soft release of breath briefly reveals relief; keep the words intact.) [6.2 seconds duration] Ze lagen onder de papieren... ik heb ze nu op tafel gelegd.
[0.3 seconds pause]
(Return to the practical composed delivery.) [6.2 seconds duration] We kunnen afsluiten zodra je klaar bent en de rest morgen doen.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement. Situation: Report that a missing set of keys has been found after a long search.
SCRIPT:
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] De sleutels zijn gevonden in de lade bij de ingang.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] Ze lagen onder de papieren... ik heb ze nu op tafel gelegd.
[0.3 seconds pause]
(Low-to-moderate volume, clear conversational phrasing, an ordinary report rather than an announcement.) [6.2 seconds duration] We kunnen afsluiten zodra je klaar bent en de rest morgen doen.
Literal text, identical within the pair
De sleutels zijn gevonden in de lade bij de ingang. Ze lagen onder de papieren... ik heb ze nu op tafel gelegd. We kunnen afsluiten zodra je klaar bent en de rest morgen doen.
Das Dokument ist fertig; ich schicke die neue Fassung gleich hinterher. Der vorige Anhang war... eine andere Datei von meinem Schreibtisch. Nimm einfach die nächste Nachricht, dann ist alles in der richtigen Reihenfolge.
Directed masked acting · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed. The outward performance is casual confidence. The concealed FICTIONAL character subtext is Shame. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Begin casually confident, concealing embarrassment.) [6.2 seconds duration] Das Dokument ist fertig; ich schicke die neue Fassung gleich hinterher.
[0.3 seconds pause]
(A brief falter and self-correction expose embarrassment without adding words.) [6.2 seconds duration] Der vorige Anhang war... eine andere Datei von meinem Schreibtisch.
[0.3 seconds pause]
(Recover the casual confident facade.) [6.2 seconds duration] Nimm einfach die nächste Nachricht, dann ist alles in der richtigen Reihenfolge.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed.
SCRIPT:
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Das Dokument ist fertig; ich schicke die neue Fassung gleich hinterher.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Der vorige Anhang war... eine andere Datei von meinem Schreibtisch.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Nimm einfach die nächste Nachricht, dann ist alles in der richtigen Reihenfolge.
Literal text, identical within the pair
Das Dokument ist fertig; ich schicke die neue Fassung gleich hinterher. Der vorige Anhang war... eine andere Datei von meinem Schreibtisch. Nimm einfach die nächste Nachricht, dann ist alles in der richtigen Reihenfolge.
The document is ready; I will send the updated copy in a moment. The earlier attachment was... another file from my desktop. Use the next message and everything should be in the right order.
Directed masked acting · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed. The outward performance is casual confidence. The concealed FICTIONAL character subtext is Shame. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Begin casually confident, concealing embarrassment.) [6.2 seconds duration] The document is ready; I will send the updated copy in a moment.
[0.3 seconds pause]
(A brief falter and self-correction expose embarrassment without adding words.) [6.2 seconds duration] The earlier attachment was... another file from my desktop.
[0.3 seconds pause]
(Recover the casual confident facade.) [6.2 seconds duration] Use the next message and everything should be in the right order.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed.
SCRIPT:
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] The document is ready; I will send the updated copy in a moment.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] The earlier attachment was... another file from my desktop.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Use the next message and everything should be in the right order.
Literal text, identical within the pair
The document is ready; I will send the updated copy in a moment. The earlier attachment was... another file from my desktop. Use the next message and everything should be in the right order.
El documento está listo; enviaré la nueva versión en un momento. El archivo adjunto anterior era... otro documento de mi escritorio. Utiliza el próximo mensaje y todo estará en el orden correcto.
Directed masked acting · prompt only
Actual 19.12s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed. The outward performance is casual confidence. The concealed FICTIONAL character subtext is Shame. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Begin casually confident, concealing embarrassment.) [6.2 seconds duration] El documento está listo; enviaré la nueva versión en un momento.
[0.3 seconds pause]
(A brief falter and self-correction expose embarrassment without adding words.) [6.2 seconds duration] El archivo adjunto anterior era... otro documento de mi escritorio.
[0.3 seconds pause]
(Recover the casual confident facade.) [6.2 seconds duration] Utiliza el próximo mensaje y todo estará en el orden correcto.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed.
SCRIPT:
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] El documento está listo; enviaré la nueva versión en un momento.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] El archivo adjunto anterior era... otro documento de mi escritorio.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Utiliza el próximo mensaje y todo estará en el orden correcto.
Literal text, identical within the pair
El documento está listo; enviaré la nueva versión en un momento. El archivo adjunto anterior era... otro documento de mi escritorio. Utiliza el próximo mensaje y todo estará en el orden correcto.
Le document est prêt; je vais envoyer la nouvelle version dans un instant. La pièce jointe précédente était... un autre fichier de mon bureau. Utilisez le prochain message et tout sera dans le bon ordre.
Directed masked acting · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.12s · seed 202610826 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed. The outward performance is casual confidence. The concealed FICTIONAL character subtext is Shame. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Begin casually confident, concealing embarrassment.) [6.2 seconds duration] Le document est prêt; je vais envoyer la nouvelle version dans un instant.
[0.3 seconds pause]
(A brief falter and self-correction expose embarrassment without adding words.) [6.2 seconds duration] La pièce jointe précédente était... un autre fichier de mon bureau.
[0.3 seconds pause]
(Recover the casual confident facade.) [6.2 seconds duration] Utilisez le prochain message et tout sera dans le bon ordre.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed.
SCRIPT:
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Le document est prêt; je vais envoyer la nouvelle version dans un instant.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] La pièce jointe précédente était... un autre fichier de mon bureau.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Utilisez le prochain message et tout sera dans le bon ordre.
Literal text, identical within the pair
Le document est prêt; je vais envoyer la nouvelle version dans un instant. La pièce jointe précédente était... un autre fichier de mon bureau. Utilisez le prochain message et tout sera dans le bon ordre.
Het document is klaar; ik stuur zo de bijgewerkte versie. De vorige bijlage was... een ander bestand van mijn bureaublad. Gebruik het volgende bericht, dan staat alles in de juiste volgorde.
Directed masked acting · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · prompt only
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Directed masked acting · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Explicit emotion cues removed · with speaker reference
Actual 19.20s · seed 202610826 · final1.3 SFT step9,799
Exact paired English directions and spoken words
Directed masked acting
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed. The outward performance is casual confidence. The concealed FICTIONAL character subtext is Shame. Do not speak or explain these directions. Let the concealed feeling briefly interrupt the outward display in the second sentence, then restore composure.
SCRIPT:
(Begin casually confident, concealing embarrassment.) [6.2 seconds duration] Het document is klaar; ik stuur zo de bijgewerkte versie.
[0.3 seconds pause]
(A brief falter and self-correction expose embarrassment without adding words.) [6.2 seconds duration] De vorige bijlage was... een ander bestand van mijn bureaublad.
[0.3 seconds pause]
(Recover the casual confident facade.) [6.2 seconds duration] Gebruik het volgende bericht, dan staat alles in de juiste volgorde.
Cue-removed control
GENERAL: Clean single-speaker studio speech. Natural, organic, spontaneous phrasing with small human hesitations. Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech. Situation: Correct a harmless work email attachment while trying to appear completely composed.
SCRIPT:
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Het document is klaar; ik stuur zo de bijgewerkte versie.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] De vorige bijlage was... een ander bestand van mijn bureaublad.
[0.3 seconds pause]
(Conversational moderate volume, crisp consonants, ordinary rather than stage-projected speech.) [6.2 seconds duration] Gebruik het volgende bericht, dan staat alles in de juiste volgorde.
Literal text, identical within the pair
Het document is klaar; ik stuur zo de bijgewerkte versie. De vorige bijlage was... een ander bestand van mijn bureaublad. Gebruik het volgende bericht, dan staat alles in de juiste volgorde.